Although dancing is fun, it’s physical demands emphasise the importance of tuition by a professional, qualified teacher. Meet Annette Roselli Dance Academy's dedicated teaching staff.
ARDA Teaching Faculty
Ms Annette began her ballet training in New Zealand and continued it at the New Zealand School of Dance and the Royal Ballet School, London, studying under teachers such as Maryon Lane, Julia Farron, Lynn Wallis & Ronald Emblem. Her first professional job was with “Northern Ballet Company” based in Manchester, England. She danced for 4 years with Northern and worked with teachers Alicia Markova, Eileen Ward and Robert Mead amongst others. She danced at many theatres including The Sadlers Wells Theatre in London and toured throughout Great Britain, Hong Kong and Italy.
Ms Annette joined the National Ballet of Israel for 2 years, touring throughout the country. She moved to South Africa in 1986 and joined NAPAC Ballet Company where she danced soloist and principal roles. Principal roles included Poll in “Pineapple Poll”, the lead in “La Valse” and “Transfigured Night” and soloist roles in “Romeo and Juliet”, “Coppelia” and “Giselle” among others. She performed the “Le Corsaire” pas de deux and solos with Vincent Hantam, a guest artist from Scottish Ballet and worked with choreographers such as Andre Prokovsky, Jack Carter, Ashley Killar, Veronica Paeper and Patricia Neary from New York City Ballet. A foot injury forced her to retire from dancing and she began teaching. She then qualified as an aerobics instructor as well as a Royal Academy of Dance teacher. Ms Annette ran and owned 2 ballet studios in South Africa over the next 4 years.
After immigrating to Sydney in 1994, she began teaching ballet at various schools and pre-schools. Within a year she had built up a register of over 200 pupils. She moved to Melbourne in 1996 where she continued teaching and also dancing herself. The family moved to Brisbane in September 1999 and she set up the studio at Moreton Bay College in May 2000.
Annette is the Owner and Director of the Annette Roselli Dance Academy (ARDA). The studio has been successfully operating in Brisbane’s bayside for 17 years and is now newly located, with three brand new studios, in Tingalpa, near Moreton Bay Girls College. Annette is also an examiner for the Royal Academy of Dance and examines students throughout Australia and internationally.
Ballet (Elite Training Program)
Jane was born in Zimbabwe and was accepted into The Royal Ballet School in 1972.
In 1973 she won the Adeline Genée Gold Medal and in 1974 was offered a place in The Royal Ballet Company, Covent Garden. Whilst there, she worked with some of the great choreographers of the time including, Sir Kenneth McMillan, Sir Frederick Ashton, Sir Peter Wright and Glen Tetley. In 1981 she joined English National Ballet where she danced many leading roles including Odile (Swan Lake), Zebiode (Scheherazade), Red lady (Sanguine Fan) etc.
Following her dance career, Jane spent a period of time as the Personal Assistant to the Director of the Royal Academy of Dancing at the Headquarters in London and was also the Administrator to the Professional Dancers Teachers Course.
Royal Society of Arts/Sports Council Course Director - Jane later went on to direct her own fitness company in the UK that encompassed Teacher Training Courses, a Health and Fitness Programme of Tuition, Seminars and Workshops of continuing education for Fitness Professionals and a Fitness Professionals Recruitment Agency. In 1994 De Vene Fitness Associates was named as one of the leading 10 Teacher Training organisations in the country. Added to this she was also a Royal Society of Arts Examiner, Freelance Fitness Writer and Freelance Fitness Lecturer and Presenter and was a leader in the fitness industry for 15 years. In 2001 Jane qualified as a Sivananda Vedanta Yoga Instructor.
Jane returned to the Royal Ballet School as the Public Relations Officer in 1996 and was responsible for the marketing and media representation of the School. Due to her vast knowledge and experience gained within the fitness industry, she was responsible for the introduction and implementation of the first cardio vascular fitness training program for young dancers at the Royal Ballet School.
Coupled with her knowledge of performance at its highest level and the anatomical and physiological aspects that underpin the physicality of ballet, Jane works towards guiding dancers on an educated, responsible and self empowered journey of their own careers.
Ballet (Elite Training Program)
Wim was born in Antwerp in 1961, and began his ballet studies in his native town, Antwerp, Belgium, at the age of 10.
He enjoyed a long and successful career with four international ballet companies, most notably the Dutch National Ballet, where he rose to Principal Dancer and, eventually, became Assistant Artistic Director. During his extensive career, he performed major leading roles of the classical repertoire and could be seen in contemporary repertoire works by many renowned choreographers. Internationally he regularly appeared as a guest artist.
In 2002, Wim was appointed Director of the Dance Department of the Royal Conservatoire in The Hague. He taught at international ballet schools, staged classical ballet repertoire and assisted with the staging of ballets by several contemporary choreographers.
In 2008, while still directing the Dance Department, he assumed the position of Artistic President of the Prix de Lausanne. On several occasions, he has served as a jury member for International ballet competitions as well as on adjudication panels for exams and / or auditions.
Since 2012, Wim has focusing back on the core of ballet and has become a freelance ballet teacher, coach and advisor. He is known and respected throughout the dance community for his commitment to healthy and responsible training of young ballet dancers, and his determination to promote ballet and ensure its recognition as a profession.
He also is the author of the book "Preparing for Ballet Auditions".
Ballet (Elite Training Program)
Born in Rockhampton, Queensland, Karen studied ballet at the Valerie Hansen Academy of Dancing from the age of four for twelve years, achieving Honours in all her Royal Academy of Dance ballet exams as well as gaining her Solo Seal.
In 1978 she started two years of training at the Royal Ballet School in London winning the Bronze Medal in the Adeline Genee Competition that year. In her Graduation Performance at The Royal Opera House, Covent Garden the following year, she danced one of the three lead roles (Gypsy Girl) in Sir Frederick Ashton’s The Two Pigeons and also performed a Pas de Deux from Bournonville’s Flower Festival at Genzano.
In 1980 she was accepted into Sadlers’ Wells Royal Ballet (SWRB) – now Birmingham Royal Ballet – under the direction of Sir Peter Wright, making her way up through the ranks of the Company and being promoted to Principal Dancer in 1987.
Over the eleven years with the Company, she performed a varied repertoire not only in London but also throughout the United Kingdom and in many countries around the world. Some of her many roles included Aurora (Sleeping Beauty); Odette/Odile (Swan Lake); Lise (La Fille Mal Gardee); Swanhilda (Coppelia); Sugar Plum Fairy (Nutcracker); the title roles in Giselle and Pineapple Poll; Gypsy Girl (The Two Pigeons) and leading ballerina in both Paquita and Theme & Variations.
After eleven years with SWRB, Karen made the difficult decision to leave the Company and pursue other avenues such as working at the Royal Ballet School for three years while having a family; training and gaining several qualifications and a National Vocational Qualification as a Fitness Instructor where she taught in adult education in the UK for eleven years. She also taught ballet classes including solo and repertoire work.
After 31 years of living in London, she returned to Australia with her family in August 2009. In September 2010, she was one of the judges for the RAD Jacqueline Morland Awards in Brisbane, and in July 2011, one of the judges for the MacDonald Scholarship Awards in Sydney. Karen is very much enjoying the chance to pass on to a younger generation the wealth of knowledge she gained from many years of performances.
Helen Brennen trained in Sydney and went on to become a professional ballet dancer overseas. Helen danced principal and soloist roles with several classical companies in London and Germany and went on to teach ballet to children across the UK, before returning to Australia. Helen has since taught at various well known dance schools throughout Sydney. Her teaching includes exam work to juniors and seniors, coaching and choreographing solos and group work for eisteddfods and a variety of other classes. Helen brings with her a wealth of professional experience to children of all ages, across all levels.
Patricia Meenan Ramsden
R.A.D Registered Teacher
I.S.T.D Modern Theatre Branch
Teacher of National Character I.S.T.D
Ex Principal of Dance Studios New Zealand, Sydney and Los Angeles
Patricia Meenan Ramsden received the first Advanced Royal Academy of Dance certificate in Dunedin, New Zealand. She was the first successful candidate to pass the exam in 16 years. Following that she received her A.R.A.D. from London.
Patricia spent many years teaching the Royal Academy of Dance and the Imperial Society of Dance in New Zealand and Australia. She opened "The Meenan Dance Centre" in Dunedin and Balclutha and also took over the Otago Dance Centre as well as directing and teaching for the "Dance Factory" in Christchurch and Sydney. Many former students have joined the New Zealand Ballet and Southern Ballet Companies with other talented dancers joining ballet and modern dance companies overseas.
Patricia spent 15 years in Los Angeles where she taught one on one technique classes and exercise for teenagers and adults. Patricia and her family moved to the Gold Coast in 2003.
Ballet and Contemporary (Elite Training Program)
Brisbane born Tracey Carrodus trained with the Queensland Ballet School and received an Associate Diploma in Dance from the Queensland University of Technology. She spent six years dancing with Brisbane-based Expressions Dance Company before joining Sydney Dance Company in 1996 where she was Principal for nearly 14 years. Tracey has performed extensively throughout the world during her 20 year career. Since retiring at the end of 2007 Tracey now mentors a new generation of professional and pre-professional dancers throughout Australia as well as re-staging Graeme Murphy works. Her greatest achievement is being a Mum to her daughter and son.
Classical ballet and Character
Veronika Sheremetieva (known as Miss Nika) was born in the former USSR and began her professional full-°©‐time ballet training at the Baku Choreography School ( in her home town). She then completed 8 years of professional studies and graduated from the Moscow Dance Academy in 1998, under Bolshoi Academy Professor, Natalia Zolotova.
Her Diploma of Choreographic Arts with qualifications as “Artist of Ballet” was assessed by the Queensland Department of Employment and Training and is recognised as comparable to a Bachelor of Arts Degree.
After graduating, Nika performed for 8 years professionally, dancing in 10 classical and musical performing companies, shaping her versatility with world class choreographers. Her career has taken her all over the world performing in Russia, China, Germany, Italy, Turkey, Israel and England.
During her performing years, Nika also received a Classical Ballet teaching degree in Moscow. Throughout her education, Nika has inherited centuries of Russian ballet teaching methodology and secrets of the Vaganova Classical Ballet approach.
Since arriving in Australia in 2006 she has been teaching and giving workshops in Classical ballet and Character in various schools and studios in Brisbane and on the Gold Coast.
Tap and Musical Theatre
Trudi has taught dance in Dance studios and High Schools for over 11 years and her credentials include- Bachelor of Education, Diploma of Teaching Secondary Schools (majoring in Music-Voice) and Diploma of Teaching in Tap Dancing with the Commonwealth Society of Teachers of Dance. She has taught Music and Dance in High Schools. Trudi has choreographed, directed and produced school musicals, and has produced school music and dance concerts. Trudi has been on the Secondary Schools Dance exam panel. She also taught Tap at dance schools and has put students through tap exams. In her youth she won numerous tap championships. Trudi understands the commitment and dedication required to teach. Trudi has had experience with several different tap syllabuses. She believes that Christine Denny’s Tapatak Oz syllabus is modern, innovative and challenging.
Pilates – Senior Program
Kathy has been teaching Pilates for 11 years and is the co-owner of personal training studio, Revolution Fitness in Wynnum. Previously a Registered Nurse, Kathy had a career change in 2003 and opened Revolution Fitness with her husband, Ken. She is a Personal Trainer, Yoga Instructor and Pilates Instructor in both Mat and Equipment - Reformer, Trapeze Table and Wunda Chair.
Miranda Zeller (www.mirandazeller.com) is a freelance choreographer, teacher and dancer. She specialises in contemporary technique, jazz technique and conditioning classes.
Miranda trained at Steps Dance Centre and Queensland Dance School of Excellence, where she obtained her Advanced 2 RAD Award. Miranda studied dance at Queensland University of Technology graduating with a Bachelor of Fine Arts (Dance) in 2008. Since graduating she has performed and taught throughout Australia and internationally.
Miranda has choreographed for Expressions Dance Company and has taught contemporary technique at Expressions Dance Company, QUT, Queensland Dance School of Excellence, Queensland National Ballet, Prudence Bowen Atelier and Annette Roselli Dance Academy. In addition, she regularly travels to regional studios throughout Queensland and New South Wales to teach and adjudicate competitions.
She has danced professionally for contemporary choreographers including Claire Marshall, Phluxus Dance Collective, Timothy Brown and Zaimon Vilmanis. Her commercial dance career includes performing for Royal Caribbean Cruise Lines, Powderfinger, Little Birdy, Elizabeth Rose and the Sleepy Jackson.
Miranda is currently studying a Bachelor of physiotherapy at the University of Queensland and is passionate about teaching dance with an anatomical foundation. Miranda also holds a Certificate III and IV in Fitness and Personal Training.”
Paul Boyd has danced with leading European ballet companies for over twelve years. Paul commenced training at the age of four with Beverley Waters in Wagga Wagga, New South Wales. His very successful career has spanned 25 years as a dancer, performing with companies all over the world.
He was Principal Dancer with 3 ballet companies in Germany. He has received the German Critics Award for The Best Up and Coming Artist and The Best Established Artist in Europe and has made guest appearances in America, Israel, Germany, Italy, Monte Carlo, Mexico, South Africa, Spain, Switzerland, France and Taiwan. In 1993 he danced the title role in "Spartacus" at the famous Summer Arts festival in Arena di Verona, Italy. He also spent 14 years as Principal Dancer, Company Coach and choreographer with the Queensland Ballet.
Since January 2004 Paul has worked as a freelance teacher, coach and choreographer. In 2004 he was invited to the Hong Kong Academy of Performing Arts as a guest teacher and choreographer where he created a new work "Tormented Tangos". In January 2005 Paul will travel to London to restage two existing works, "Uneven Ground" and "In Stillness We Meet" for the graduating students of the Royal Ballet School, and at the end of 2005 he will create a new work for The Australian Ballet Company for their "Bodytorque" programme.
In 1999, he choreographed "Tall Poppies" for the South Australian Children's Ballet Company and returned in 2001 to choreograph "The Red Shoes" for the company. The Company acknowledges his generosity in giving his time to remount "The Red Shoes" for the 2004 season.
Camilla first discovered her passion for dance and began her extensive training in Queensland. She then relocated to Sydney and landed her first professional job, at age 16, in Baz Luhrmann’s feature film Moulin Rouge. Her on screen credits also include Bootmen, Happy Feet and most recently the Australian produced film Goddess.
From here, Camilla jet set on her first overseas trip and performed in ‘Encore’ at the Broadway Theatre, Tokyo Disney Sea. On her return home, Camilla made her musical theatre debut with Saturday Night Fever, and went on to perform in Hugh Jackman’s The Boy From Oz, We Will Rock You (Japan), Fame (dance captain/ensemble/Carmen understudy) and was assistant choreographer on the world premier of Doctor Zhivago. In 2013, Camilla also performed in Opera Australia’s production of Carmen.Camilla made top 12 in the first season of So You Think You Can Dance (2008) and was ecstatic to be one of Red Foo’s dancers, for his Let’s Get Ridiculous film clip.
As an aspiring performer / choreographer, Camilla has worked extensively at both corporate and high profile events. Some of these most recent events include performing with Ricky Martin at the NRL Grand Final 2013, performing with Kylie Minogue, in Abu Dhabi, at the Formula One 2013, performing with Flo Rida at the Logies 2012, X Factour Tour 2013, X Factor 2013, 2012 and 2011 and Australia’s Next Top Model Finale 2011.
Over the last few years, Camilla has choreographed seven of Packemin Productions shows; Oliver, Wizard Of Oz, Hairspray, Annie, Beauty and the Beast, Phantom Of The Opera and most recently Mary Poppins. Camilla also choreographed the professional production of Dogfight at the Hayes Theatre. Camilla aspires to inspire those, who share her passion and dedication for the arts and hopes to continue ‘living the dream’ for many years to come.